Esquire: Janette Sadik-Khan: Urban Reengineer
Photo:Olugbenro Ogunsemore via Esquire
A great piece on NYC DOTs, Janette Sadik-Khan in Esquire at the moment as part of The Brightest: 16 Geniuses Who Give Us Hope …
Whereas most city officials and past DOT commissioners would have insisted on capital funds for something like, say, a bike lane, Sadik-Khan teases them out on the cheap. When you use capital funds for a project, you need approval from a few different places, and it takes months, sometimes years. So she takes a bunch of guys already painting double lines and gets them to dot a bike lane with the extra paint. Where she wants a plaza to swallow a car lane, she convinces abutting stores and the local business-improvement chapter to pay for the cleaning and to take the chairs and tables in every evening and set them out every morning. She tells them that shutting down the street will actually help their business, the way it did in Times Square. She shows them the numbers and where once they may have been against her, suddenly they are footing her bill. She doesn’t even need to check in with Bloomberg. Like a high school a cappella group trying to get to Ibiza for spring break, Sadik-Khan finds money between seat cushions. She uses her guile and glamour to get what she needs, craftily but lawfully.
More downright rebelliously, she sometimes circumvents the community by experimenting with test swatches called pilots, like little harbingers of the future. With a pilot change, you don’t necessarily need community permission, since the idea is that you may end up just taking it down. For example, with the DUMBO parklet, a past commissioner might have educated the residents first, tried to get them to buy into the plan. But it takes months to convince a neighborhood to agree to a change. Instead, she just painted. She did the same thing in the Meatpacking District, when she drummed up a plaza next to the Apple store, and again on Willoughby Street in Brooklyn. She’s figured out a quiet way to get her way without getting the pesky public in her face.
